Anil Awad's Quest For Literature

Saturday 30 July 2016

MODEL QUESTIONS ON COMPREHENSION FOR NET/SET ASPIRANTS



MODEL QUESTIONS ON COMPREHENSION FOR NET/SET ASPIRANTS



Read the following passage carefully and answer the questions:

Art deals with the basic structures of being, nature, and spirit. In the Republic Plato disparages the artist as an imitator twice removed from reality. According to Plato, the poet imitates not the original form or idea but its real manifestation in the world. Although some poets can be characterized in this way, the essence of great poetry is not the imitation of an imitation. Already Plotinus suggests, in contrast to Plato, that the object of imitation is not nature but the ideal. The artist does not simply reproduce what is but goes back to “the Reason-Principles from which Nature itself derives”. Schelling and Hegel argue more fully that art does not merely imitate what is, it reects on a reality that is higher than so-called reality itself; in Schelling’s words, “the ideal is the real and is much more real than the so-called real itself”. Art can be viewed as higher than everyday reality insofar as it is closer to expressing truth. What we call everyday reality may have more aspects of deception, insofar as it shields us—by way of the capriciousness of situations and events, the clutter of external and supercial objects, and the immediacy of sensuous impressions—from a more essential meaning, a more genuine reality. Everyday reality is not free of this higher spirit and essence, but art, unlike everyday reality, with its multiple contingencies, emphasizes and reveals this higher reality. In this sense art has a profound metaphysical dimension; it does not imitate the external world, it makes visible for us the absolute. In one sense, to be elaborated more fully below, art is higher than the original of which it is a copy, for it brings that original to semblance. Poetry, then, is a semblance of the ideal or an “idealization” of reality that conveys truths that are timeless and transferable to other cultures and ages and truths that address and derive from the particular and often unique challenges of a given age. Even when art fails to give us satisfactory answers to complex questions, it still takes our gaze from the inessential to the essential.

71. The writer
1.    Agrees with the idea of imitation of Plato
2.    Disagrees with the idea of imitation of Plato
3.    Instructs to develop the idea of imitation
4.    Challenges the idea of imitations

72. Art is higher than reality because
1.    It imitates the reality properly
2.    It idealizes human life
3.    It is away from deception in reality
4.    It expresses unbelievable truth

73. Here, the phrase ‘metaphysical dimension’ means
1.    Imitation of external world
2.    Timeless and transferable cultural ideas
3.    Sensuous impressions of work of literature
4.    Higher and absolute reality

74. Which is not function of art?
1.    To present idealization of reality
2.    To convey timeless and transferable truth
3.    To answer the complex questions about truth
 4.    To get crucial meaning out of unnecessary things

75. The major concern of the passage is:
1.    To discuss the idea of imitation
2.    To idealize the ideas
3.    To tell  reality about art
4.    To reveal the absoluteness of art

By –
Anil S Awad
Englsih NET/SET Consultant
9922113364/9423403368

 

LOST GENERATION



LOST GENERATION



Lost Generation is the generation that refers specifically to a group of American writers who came of age during the World War I and gained popularity in American Literature. The term also refers to the artists who rose to prominence between the end of World War I and the beginning of the Great Depression. However, in Britain, surprisingly, the term referred to those upper-class people who lost their lives during the World War I or who returned home with permanent physical disabilities. Such a huge loss, Britain believed, paralyzed the country for many years to come.



The term “lost generation” is coined by Gertrude Stein. It is said that she heard this term in France with reference to her auto-mechanic, who was referred as a member belonging to “une generation perdue”. This refers to the young workers’ poor auto-mechanic repair skills. Gertrude Stein uses this phrase to describe the people of the 1920’s. The people reject American post World War I values. The generation was “lost” in the sense that its inherited values were no longer relevant in the postwar world and because of its spiritual alienation from America, the place that seemed to the people to be hopelessly provincial, materialistic, and emotionally barren.



The period that followed World War I is known for its protest against the traditional ethical and moral values, social and cultural conventions, and aesthetic rules and regulations of the past. Decadence, disinterest and purposelessness are the distinguishing features of the literature produced during this period. There was the dominance of conservatism, Puritanism, and Prohibition. Artists belonging to different arts attempted to establish new values through their works. However, it doesn’t mean that there was a complete shift from the old to the new. There were some writers like Conrad Aiken and Elinor Wylie who preferred to stick to the old and traditional in their works. Among the artists of this period, there came a vogue of shifting to the places like Greenwich Village, Chicago, and San Francisco. Some of them even moved to Europe and continued to create their works.

The three best known writers of ‘The Lost Generation’ are F. Scott Fitzgerald, Ernest Hemingway and John Dos Passos. Others among the list are: Sherwood Anderson, Kay Boyle, Hart Crane, Ford Maddox Ford and Zelda Fitzgerald. Initially, Gertrude Stein used this term in one of her remarks to Ernest Hemingway, “You are all a lost generation.” Hemingway used it as an epigraph to The Sun Also Rises (1926).
 
 Ernest Hemingway
Thus the “Lost Generation” defines a sense of moral loss or aimlessness apparent in literary figures during the 1920s. World War I destroyed the earlier ideas of morality. People now did not believe that virtuous act brings good things to the life. Many good, young men went to war and died, or returned home either physically or mentally disabled. Naturally, they had lost their faith in the moral and ethical aspects of life. This loss of faith marked them as ‘lost’.


In general, ‘the Lost Generation is a group of the post-World War I U.S. writers who specifically wrote during the war and established their literary reputations in the 1920s. The generation is said to be “lost” as it was not relevant in the post-war world in the sense that it inherited earlier moral values. The generation also represents its spiritual alienation from the U.S. After the War the then American President Warren G. Harding declared the policy “back to normalcy”. This seems to its members hopelessly provincial, materialistic, and emotionally barren. The term ‘lost generation’ embraces Hemingway, F. Scott Fitzgerald, John Dos Passos, E.E. Cummings, Archibald MacLeish, Hart Crane, and many other writers. These writers had made Paris the centre of their literary activities in the ’20s. Actually, theirs was not a specific literary school. In the 1930s, these writers turned in different directions. Their works lost the distinctive stamp of the post-war period. The last representative works of the era are Fitzgerald’s Tender Is the Night (1934) and Dos Passos’ The Big Money (1936).
 
F. Scott Fitzgerald

The study of the works of this period shows these literary figures criticizing American culture. The choice of the themes like self-exile, indulgence, spiritual alienation and moral degradation throws ample light on the tendency of these writers. For example,

Fitzgerald has nicely exhibited how the young generation of the time tired to cover up the overall sense of the depression and frustration by feigning to have lost in Jazz in his work, This Side of Paradise. The similar theme of illusory presence of happiness in the lives of his characters is depicted by Fitzgerald in his masterpiece, The Great Gatsby. Another writer of this generation, Hemingway, is known for his introducing the technique of omission. He believed that omission of some information can sometimes strengthen the plot of the novel. This technique is imitated by many writers afterwards. Even Hemingway replaced the florid prose of the Victorian era with a lean, clear prose based on action.

 The Great Gatsby

Thus the literary works created by the members of the ‘Lost Generation’ focus upon the current lifestyles of the American people. Such kind of treatment of the men and their manners was quite a new phenomenon in the literature of the time. Naturally, it had a long-lasting influence on the future generations of the writers and their works.


Anil S Awad
English NET/SET Consultant
9922113364/9423403368
anilawad123@gmail.com


Tuesday 19 July 2016

CBSE – NET – MODEL ANSWER KEY English Paper II 10th July 2016



CBSE – NET – MODEL ANSWER KEY
English Paper II
10th July 2016

BY ANIL S AWAD
English NET/SET Consultant
9922113364/9423403368
Hello Aspirants,
I am herewith posting/sharing the Answer Key 10th July English Net Exam. This is Model Answer Key and Not Authentic key. I have tried my best to provide ideal model answers to all the 50 Questions in Paper II.  It is my great pleasure to inform you that most of the questions are either from my study notes as well as group discussion/parallel posting while online teaching. Before moving to the key, let me clear some points –
1)         It is model answer key and prepared by me (Anil S Awad), not final answer key. Please tally the key with the Authentic Key published by the competent authority, when it will be issued.
2)         Please don’t ask such irrelevant questions, like – what will be the merit/cut off/qualifying marks for Open/SC/ST/OBC etc. It is improbable to anyone to guess it now.
3)         Instead of waiting for the result, I humbly advise you to start preparing for December 2016 Net as well as the upcoming SET Exams.
4)         It is my humble request not to modify the key – any answers (or even my name) for purpose of sharing/re-posting it. I will issue the updates on my blog, if any.
5)         You can share this key on your timeline from my time or my Facebook Page – English Net Study Notes and Online Guidance
6)         You can read this key anytime on my Blog Spot. If any rectifications in the key, it will be made available on the blog.  – Anil Awad’s Quest for Literature.
 BY ANIL S AWAD
English NET/SET Consultant
9922113364/9423403368

1.   Which British University figures in William Wordsworth’s Prelude?
1)   Durham
2)   Glasgow
3)   Cambridge
4)   Oxford
Answer – 3) Cambridge
 
PRELUDE BOOK - VI
2.   Who is the author of A Woman Killed with Kindness?
1)   John Marston
2)   Thomas Middleton
3)   John Fletcher
4)   Thomas Heywood
Answer – 4) Thomas Heywood (first acted in 1603)



3.   In William Congreve’s The Way of the World identify the speaker of the line: “One’s cruelty is one’s power, and when one parts with one’s cruelty, one parts with one’s power”?
1)   Mirabell
2)   Witwould
3)   Millamant
4)   Mincing
Answer – 3) Millamant – Act II, Scene V

MILLAMANT
Mirabell, did you take exceptions last night? Oh, ay, and went away. Now I think on't I'm angry--no, now I think on't I'm pleased:- for I believe I gave you some pain.
MIRABELL
Does that please you?
MILLAMANT
Infinitely; I love to give pain.
MIRABELL
You would affect a cruelty which is not in your nature; your true vanity is in the power of pleasing.
MILLAMANT
Oh, I ask your pardon for that. One's cruelty is one's power, and when one parts with one's cruelty one parts with one's power, and when one has parted with that, I fancy one's old and ugly.

4.   T S Eliot found spiritual support in
1)   Christianity
2)   Hinduism
3)   Buddhaism
4)   Judaism
Answer – 2) Hinduism 
(UGC Key - Answer is 1 - Christianity - you can challenge this question with the following explanation, if you will.

Reference: The Waste Land (ending)
Datta. Dayadhvam. Damyata.
                  Shantih     shantih     shantih

These lines are taken from Brihadaranyaka Upnishada
 
T S Eliot clearly In his Page-Borbour lectures which he gave at the University of Virginia in 1933 he made these comments about his courtship with the East: “Two years spent in the study of Sanskrit under Charles Lanman, and a year in the mazes of Patanjali's metaphysics under the guidance of James Woods, left me in a state of enlightened mystification. A good half of the effort of understanding what the Indian philosophers were after--and their subtleties make most of the great European philosophers look like schoolboys--lay in trying to erase from my mind all the categories and kinds of distinction common to European philosophy from the time of the Greeks. My previous and concomitant study of European philosophy was hardly better than an obstacle. And I came to the conclusion--seeing also that the influence of Brahmin and Buddhist thought upon Europe, as in Schopenhauer, Hartmann, and Deussen, had largely been through romantic misunderstanding--that my only hope of really penetrating to the heart of that mystery would lie in forgetting how to think and feel as an American or a European: which, for practical as well as sentimental reasons I did not wish to do.”

5.   By what name is Gulliver known in Brobdingnag?
1)   Grildrig
2)   Glumdalclithc
3)   Splacknuck
4)   Mannikin
Answer – 1) Grildrig




6.   Who among the following was born in India?
1)   Paul Scott
2)   Lawrence Durrel
3)   E M Forster
4)   V S Naipaul
Answer – 2) Lawrence Durrel (Born: Feb. 27, 1912. Jalandhar)


 
7.   What metaphor does Edmund Spenser employ (Faerie Queene Book 1 Canto 12) to frame his tale and to describe the relationship between the tale and its readers?
1)   That of a caravan of lost sould, traversing a desert
2)   That of a stagecoach, which picks up diverse passengers along the way
3)   That of a ship filled with jolly mariners
4)   That of a riderless horse, following his own direction.
Answer – 3) That of a ship filled with jolly mariners 

Lines from Faerie Queene Book 1 Canto 12

Now strike your sailes yee jolly Mariners,
For we be come unto a quiet rode,
Where we must land some of our passengers,
And light this weary vessell of her lode.
Here she a while may make her safe abode,
Till she repaired have her tackles spent,
And wants supplide. And then againe abroad
On the long voiage whereto she is bent:
Well may she speede and fairely finish her intent.
BOOK - I CANTO XII

8.   Who among the following is not associated with Russian formalism?
1)   Roman Jakobson
2)   Georges Poulet
3)   Boris Eichenbaum
4)   Victor Shklovsky
Answer 2) Georges Poulet (Geneva School – Structural Linguistics)

9.   Which character in Dickens keeps on hoping that “something will turn up”?
1)   Barkis
2)   Micawber
3)   Uriah Heep
4)   Miss Havisham
Answer  - 2) Micawber (David Copperfield) 
DAVID COPPERFIELD

10.        What is the name of the boat that rescues Ishmael in Harman Melville’s Moby Dick?
1)   Pequod
2)   Rachel
3)   Hagar
4)   Sphinx
Answer – 2) Rachel

Explanation – Ishmael is the crew member of Pequod. When the whale sinks the ship, all the crew members drown, with the exception of Ishmel: 

See the excerpt from the novel - 
Buoyed up by that coffin, for almost one whole day and night, I floated on a soft and dirgelike main. The unharming sharks, they glided by as if with padlocks on their mouths; the savage sea-hawks sailed with sheathed beaks. On the second day, a sail drew near, nearer, and picked me up at last. It was the devious-cruising Rachel, that in  her retracing search after her missing children, only found another orphan.
MOBY DICK

BY ANIL S AWAD
English NET/SET Consultant
9922113364/9423403368

11.        Northanger Abeey is parody of the ____romance
1)   Oriental
2)   French
3)   Goethic
4)   Popular
Answer – 3) Goethic

12.        Who among the following authors were greatly influenced by Thomas Carlye’s writings?
I.             Charles Dickens
II.           Elizabeth Gaskell
III.          Emily Bronte
IV.         Oscar Wilde
The right combination according to the code is
1)   I and II
2)   II and III
3)   I and IV
4)   I and III
Answer – 1) I and II

13.        Which of the following is another term to describe “art for art’s sake”?
1)   Aestheticism
2)   Didacticism
3)   Realism
4)   Neo-realism
Answer – 1) Aestheticism

14.        The statement that there are “none so credulous as infidels” is an illustration of
1)   Oxymoron
2)   Antithesis
3)   Paradox
4)   Metonomy
Answer – 3) Paradox

15.        Who narrates Heart of Darkness?
1)   Marlow
2)   Director of Companies
3)   Kurtz
4)   An unnamed narrator
Answer – 4) An unnamed narrator

16.        The Mistakes of a Night is the subtitle of
1)   The Conscious Lovers
2)   The Good Natur’d Man
3)   She Stoops to Conquer
4)   The Rivals
Answer – 3) She Stoops to Conquer (Oliver Goldsmith)


17.        Identify the first novel written by Patrick White:
1)   The Living and the Dead
2)   The Tree of Man
3)   Happy Valley
4)   The Aunt’s Story
Answer – 3) Happy Valley (1939)

18.        In King Lear for what reason does Kent assume a disguise?
1)   To continue to serve Lear, though Lear has banished him
2)   To spy on Edmund
3)   To antagonize Goneril and Regan
4)   To revenge upon Lear for banishing him
Answer – 1) To continue to serve Lear, though Lear has banished him

19.        What is feminine rhyme?
1)   A rhyme on two syllables in which the last syllable is unstressed
2)   A rhyme on two syllables
3)   A rhyme on three syllables
4)   A Poem in which every third syllable rhymes
Answer – 1) A rhyme on two syllables in which the last syllable is unstressed.
M H ABRAM'S GLOSSARY - PAGE 317


20.        Identify two of the following written by Christopher Fry:
I.                    French Without Tears
II.                  The Lady’s Not for Burning (1949)
III.                Venus Observed (1950)
IV.                The Deep Blue Sea
The right combination according to the code is
1)   II and III
2)   I and III
3)   II and IV
4)   I and IV

Answer – 1) II and III (The Lady’s Not for Burning and Venus Observed)

French Without Tears and The Deep Blue Sea – Terence Rattigan

BY ANIL S AWAD
English NET/SET Consultant
9922113364/9423403368

21.        In
1)   something  positive
2)   something negative
3)   something historical
4)   something old
Answer – 2) something negative

Beginning of the essay ‘Traditional and Individual Talent’ – 

In English writing we seldom speak of tradition, though we occasionally apply its name in deploring its absence. We cannot refer to “the tradition” or to “a tradition”; at most, we employ the adjective in saying that the poetry of So-and-so is “traditional” or even “too traditional.” Seldom, perhaps, does the word appear except in a phrase of censure.

22.        Who of the following is a Cavalier poet?
1)   George Herbert
2)   John Donne
3)   Robert Herrick
4)   Andrew Marvell
Answer – 3) Robert Herrick

23.        Which of the following is not Jacques Derrida’s work?
1)   Of Spirit : Heidegger and the Question
2)   The Transcendence of the Ego
3)   Of Grammatology
4)   The Work of Mourning
Answer – 2) The Transcendence of the Ego (By Jean-Paul Sartre) 


24.        In Paradise Lost which character narrates the story of the making of Eve from a rib in Adam’s side?
1)   Adam
2)   Eve
3)   Raphael
4)   God
Answer – 1) Adam 

Adam himself tells the story of making of Eve from his left side. See the lines 460-480 from Book VIII – Paradise Lost.
Mine eyes he clos'd, but op'n left the Cell [ 460 ]
Of Fancie my internal sight, by which
Abstract as in a transe methought I saw,
Though sleeping, where I lay, and saw the shape
Still glorious before whom awake I stood;
Who stooping op'nd my left side, and took [ 465 ]
From thence a Rib, with cordial spirits warme,
And Life-blood streaming fresh; wide was the wound,
But suddenly with flesh fill'd up and heal'd:
The Rib he formd and fashond with his hands;
Under his forming hands a Creature grew, [ 470 ]
Manlike, but different sex, so lovly faire,
That what seemd fair in all the World, seemd now
Mean, or in her summ'd up, in her containd
And in her looks, which from that time infus'd
Sweetness into my heart, unfelt before, [ 475 ]
And into all things from her Aire inspir'd
The spirit of love and amorous delight.
Shee disappeerd, and left me dark, I wak'd
To find her, or for ever to deplore
Her loss, and other pleasures all abjure: [ 480 ]


25.        A S Byatt’s Possession attempts the imitation of the work of two Victorian poets, loosely based on
I.             Alfred Tennyson
II.           Robert Browning
III.          Christina Rossetti
IV.         William Morris
The right combination according to the code is
1)   I and II
2)   II and IV
3)   II and III
4)   III and IV
Answer – 3) II and III
 
Explanation – Possession is the fictional story of the relationship between two Victorian Poets Randolph Henry Ash (character based on Browning or Tennyson) and Christabel LaMotte (Christina Rossetti). In the above option – there is no option to match Tennyson with Christina Rossetti – I & III. But we can match Browning with Christina Rossetti – II and III. 



26.        The Dark Lady of the Sonnets is a short comedy by
1)   Bernard Shaw
2)   W B Yeats
3)   J M Synge
4)   John Osborne
Answer – 1) Bernard Shaw

The Dark Lady of the Sonnets is a 1910 short comedy by George Bernard Shaw in which William Shakespeare, intending to meet the "Dark Lady", accidentally encounters Queen Elizabeth I and attempts to persuade her to create a national theatre.


27.        John Milton’s description of gold as a “precious bane” (Paradise Lost, Book II) is best described as
1)   A dactyl
2)   An oxymoron
3)   Enjambment
4)   Zeugma
Answer – 2) An oxymoron

Explanation – Oxymoron is a figure of speech in which apparently contradictory terms appear in conjunction. Here precious means valuable (something positive) and bane means distress or annoyance (something negative). Two contradictory words are put together here. 

28.        There is a play on the name of Machiavelli in the prologue to Christopher Marlowe’s
1)   Doctor Faustus
2)   The Jew of Malta
3)   Tamburlaine, the Great
4)   Edward II
Answer – 2) The Jew of Malta

See the opening of the play...

THE JEW OF MALTA.

Enter MACHIAVEL.

MACHIAVEL. Albeit the world think Machiavel is dead,
Yet was his soul but flown beyond the Alps;
And, now the Guise  is dead, is come from France,
To view this land, and frolic with his friends.
To some perhaps my name is odious;
But such as love me, guard me from their tongues,
And let them know that I am Machiavel,
And weigh not men, and therefore not men's words.
Admir'd I am of those that hate me most:
Though some speak openly against my books,
Yet will they read me, and thereby attain
To Peter's chair; and, when they cast me off,
Are poison'd by my climbing followers.
I count religion but a childish toy,
And hold there is no sin but ignorance.
Birds of the air will tell of murders past!
I am asham'd to hear such fooleries.
Many will talk of title to a crown:
What right had Caesar to the empery?
Might first made kings, and laws were then most sure
When, like the Draco's, they were writ in blood.
Hence comes it that a strong-built citadel
Commands much more than letters can import:
Which maxim had Phalaris observ'd,
H'ad never bellow'd, in a brazen bull,
Of great ones' envy: o' the poor petty wights
Let me be envied and not pitied.
But whither am I bound? I come not, I,
To read a lecture here in Britain,
But to present the tragedy of a Jew,
Who smiles to see how full his bags are cramm'd;
Which money was not got without my means.
I crave but this,—grace him as he deserves,
And let him not be entertain'd the worse
Because he favours me.

[Exit.]

29.        Shakespeare famously neglects to observe Aristotle’s rules concerning the three dramatic unities, and Samuel Johnson undertakes to defend Shakespeare from these criticism in his Preface to Shakespeare. Which of the Aristotelian dramatic unities does Johnson believe Shakespeare to observe most successfully?
1)   Time
2)   Place
3)   Action
4)   Johnson does not feel that the Aristotelian dramatic unities are important
Answer – 3) Action 

Excerpt from ‘Preface to Shakespeare’

In his other works he has well enough preserved the unity of action. He has not, indeed, an intrigue regularly perplexed and regularly unravelled; he does not endeavour to hide his design only to discover it, for this is seldom the order of real events, and Shakespeare is the poet of nature: But his plan has commonly what Aristotle requires, a beginning, a middle, and an end; one event is concatenated with another, and the conclusion follows by easy consequence. There are perhaps some incidents that might be spared, as in other poets there is much talk that only fills up time upon the stage; but the general system makes gradual advances, and the end of the play is the end of expectation.

BY ANIL S AWAD
English NET/SET Consultant
9922113364/9423403368


30.        Who among the following was praised and patronized as a “Ploughman Poet”?
1)   John Clare
2)   George Crabbe
3)   Robert Burns
4)   Walter Scott
Answer – 3) Robert Burns

31.        Which novel of Doris Lessing ends with a projection forward in time after devastating atomic war?
1)   The Grass is Singing
2)   The Golden Notebook
3)   The Four-Gated City
4)   A Proper Marriage
Answer – 3) The Four-Gated City


32.        Name the dominant meter of the following quatrain?
The curfew tolls the knell of parting day,
The lowing herd winds slowly o’er the lea,
The plowman homeward plods his weary way
And leaves the world to darkness and to me

1)   Iambic Hexameter
2)   Trochaic Pentameter
3)   Iambic Pentameter
4)   Terza Rima
Answer – 3) Iambic Pentameter

Explanation - These lines are from Thomas Gray’s Elegy Written in Country Churchyard – which is an ideal example of – heroic quatrain (four-line stanza), written in iambic pentameter with rhyme scheme abab.


33.        Which two novels of Buchi Emecheta provide a fictionalized portrait of poor, young Nigerian women struggling to bring up their children in London?

I.             The Slave Girl
II.           The Joys of Motherhood
III.          Second Class Citizen
IV.         In the Ditch
The right combination according to the code is
1)   I and II
2)   II and III
3)   III and IV
4)   I and IV
Answer – 3) III and IV

34.        In John Bunyan’s Pilgrim’s Progress who keeps Christian’s head above water in the River of Death?
1)   Hopeful
2)   Helpful
3)   Faithful
4)   Cheerful
Answer – 1) Hopeful

35.        Childe Harold’s Pilgrimage is
1)   Religious allegory
2)   Fairy tale
3)   Long poem
4)   Utopian novel
Answer – 3) Long poem (By Byron) 

36.        In Thomas More’s Utopia which of the following leisure pastimes is not a favourite among Utopians?
1)   Music
2)   Public lectures
3)   Conversation
4)   Dicing and cards
Answer – 4) Dicing and cards

Excerpt from Utopia –
You have also many infamous houses, and, besides those that are known, the taverns and ale- houses are no better; add to these dice, cards, tables, football, tennis, and quoits, in which money runs fast away; and those that are initiated into them must, in the conclusion, betake themselves to robbing for a supply.
They do not so much as know dice, or any such foolish and mischievous games.
















37.        Which of the following statements does not describe Michel Foucault’s position?
1)   In Foucault’s work sexuality is literally written on body
2)   Power operates through discourse
3)   There is connection between power and knowledge
4)   Where there is power, it is possible to find resistance.
Answer – 1) In Foucault’s work sexuality is literally written on body

38.        In which year did Great Exhibition take place?
1)   1851
2)   1857
3)   1861
4)   1871
Answer – 1) 1851


39.        When Fidesssa says, “O but I fear the fickle freakes.../Of fortune false, and odds of armes in field” (Faerie Queene, Book I, Canto 5), this is a fine example of...
1)   Alliteration
2)   Allegory
3)   Assonance
4)   Antithesis
Answer – 1) Alliteration

40.        Match the work with author:
Work
I.             The Excursion
II.           Christabel
III.          Milton
IV.         Queen Mab
Author
A.   S T Coleridge
B.   P B Shelley
C.   William Wordsworth
D.  William Blake

I    II        III       IV
     1.       C       A       B       D
     2.      C       A       D       B
     3.       B       C       A       D
     4.       B       A       C       D

     Answer – 2) C A D B     
    
BY ANIL S AWAD
English NET/SET Consultant
9922113364/9423403368

41.        Which of the following phrases is not found in Thomas Gray’s “Elegy written in a Country Churchyard”?
1)   Far from the madding crowd
2)   A youth to Fortune and Fame unknown
3)   Full many a flower is born to blush unseen
4)   All nature is but art, unknown to thee

Answer – 4) All nature is but art, unknown to thee (From Alexander Pope’s Essay on Man)


42.        Robert Browning’s “Rabbi Ben Ezra” is a defence of
1)   Youth against old age
2)   Old age against youth
3)   Power against knowledge
4)   Knowledge against power
Answer – 2) Old age against youth



43.        In Geoffrey Chaucer’s Canterbury Tales, the pilgrims, like the medieval society of which they are a part, are made up of three social groups or “estates”. What are the three estates?
1)   Nobility, church and commoners
2)   Royalty, nobility and peasantry
3)   Royalists, republicans and peasants
4)   Country, city and commons
Answer – 1) Nobility, church and commoners

44.        Which novel of Toni Morrison tells the wrenching story of a protagonist who murders her child rather than to allow him/her to live as a slave?
1)   Sula
2)   Tar Baby
3)   Song of Solomon
4)   Beloved
Answer – 4) Beloved


45.        Who among the following translated Homer?
1)   Thomas Gray
2)   Samuel Johnson
3)   Oliver Goldsmith
4)   Alexander Pope
Answer – 4) Alexander Pope (Published – 1715) 


46.        Shyam Selvadurai’s Funny Boy is a
1)   Picaresque novel
2)   Epistolary novel
3)   Diary novel
4)   Coming of age novel
Answer – 4) Coming of age novel


47.        When was the English ban on James Joyce’s Ulysses lifted?
1)   1924
2)   1945
3)   1936
4)   1962
Answer – 3) 1936

48.        Who among the following is not an imagist?
1)   Ezra Pound
2)   W B Yeats
3)   Amy Lowell
4)   T E Hulme
Answer – 2) W B Yeats (He was symbolist)

49.        Thomas Carew’s Poems appeared in print in 1640 and contain a variety of amorous addresses to and reflections on, fictional mistress known as
1)   Celia
2)   Julia
3)   Anne
4)   Melanie
Answer – 1) Celia

50.        Match the novelists with thir work:

NOVELISTS

I.             William Golding
II.           Salman Rushdie
III.          Graham Swift
IV.         Peter Ackroyd
Work
A.   Grimus
B.   Hawksmoor
C.   Darkness Visible
D.  Waterland
I    II        III       IV
     1)       D       A       C       B
     2)      C       A       D       B
     3)       B       C       A       D
     4)       B       A       C       D

     Answer -     2)      C       A       D       B

BY ANIL S AWAD
English NET/SET Consultant
9922113364/9423403368

SHORT ANSWER KEY
1) 3) Cambridge
2) 4) Thomas Heywood (first acted in 1603)
3) 3) Millamant – Act II, Scene V
4) 2) Hinduism (UGC Key Answer - 1. Christianity)
5) 1) Grildrig
6) 2) Lawrence Durrel
7) 3) That of a ship filled with jolly mariners
8) 2) Georges Poulet (Geneva School – Structural Linguistics)
9) 2) Micawber (David Copperfield)
10) 2) Rachel
11) 3) Goethic
12) 1) I and II (Dickens and Gaskell)
13) 1) Aestheticism
14) 3) Paradox
15) 4) An unnamed narrator
16) 3) She Stoops to Conquer (Oliver Goldsmith)
17) 3) Happy Valley (1939)
18) 1) To continue to serve Lear, though Lear has banished him
19) 1) A rhyme on two syllables in which the last syllable is unstressed.
20) 1) II and III (The Lady’s Not for Burning and Venus Observed)
21) 2) something negative
22) 3) Robert Herrick
23) 2) The Transcendence of the Ego (By Jean-Paul Sartre)
24) 1) Adam
25) 2) II and III (Browning & Rossetti)
26) 1) Bernard Shaw
27) 2) An oxymoron
28) 2) The Jew of Malta
29) 3) Action
30) 3) Robert Burns
31) 3) The Four-Gated City
32) 3) Iambic Pentameter
33) 3) III and IV (Motherhood & Ditch)
34) 1) Hopeful
35) 3) Long poem (By Byron)
36) 4) Dicing and cards
37) 1) In Foucault’s work sexuality is literally written on body
38) 1) 1851
39) 1) Alliteration
40) 2) C A D B
41) 4) All nature is but art, unknown to thee (From Alexander Pope’s Essay on Man)
42) 2) Old age against youth
43) 1) Nobility, church and commoners
44) 4) Beloved
45) 4) Alexander Pope (Published – 1715)
46) 4) Coming of age novel
47) 3) 1936
48) 2) W B Yeats (He was symbolist)
49) 1) Celia
50) 2) C A D B

BY ANIL S AWAD
English NET/SET Consultant
9922113364/9423403368